Devashish Patil

Mutton (Short Film)

• Recording high-quality audio on location using boom, lavalier, and shotgun microphones. I monitor levels, placement, and perspective to capture clean dialogue and ambient sound.
• Editing and mixing sound using Pro Tools and other DAWs. I creatively edit dialogue, add sound effects, compose music, and mix/balance all elements into a cohesive soundtrack.
• Implementing techniques like EQ, compression, reverb, and panning to shape the listener experience. I finesse tonal qualities, spaciousness, clarity, and directionality.
• Working collaboratively with directors and producers to achieve their creative vision. I interpret cues in the visuals to craft impactful, tone-setting audio.
• Organizing extensive sound libraries and editing workflows. My file structures and timelines optimize the sound design process.
• Ensuring continuity, technical quality, and aesthetic impact through the final mix. My expertise realizes engaging, immersive audio that enhances the storytelling.

Xondhiyar Akaxot Bogoli Ure (Short Film)

• Controlled microphones, sound levels and outputs to produce high-quality tracks for variety of clients.
• Regulated sound qualities and volume levels during shoot and recording sessions to produce desired outcomes.
• Used Protools to mix and edit tracks.
• Carried out day-day-day duties accurately and efficiently.

Kalke Kalki (Short Film)

• Edited and enhanced sound quality of dialogues for online content and short films, crossfading, leveling, de-noising, and smoothing to ensure a consistent listening experience.
• Maintained clear, organized file structure and timelines to increase efficiency across the production team.

• I supported the lead sound recordist in capturing high-quality audio for film.
• Responsibilities included equipment setup, microphone placement, monitoring audio levels, troubleshooting technical issues, and maintaining equipment.
• I also assisted with cable management, and communication with the production team.

Teere Bendho Na (Unanchored)

• Sculpted realistic soundscapes using foley techniques, sound effects that align with storylines.

December03, '84 (Short Film)

• Independently conceptualized timelines, storyboards and themes of video projects.
• Operated industry-standard cameras, lighting and photography equipment and various job-related computer software.
• Chose locations and settings for individual scenes, angles of cameras and gestures used by actors
• Successfully collaborated with other departments and outsourced independent vendors.