Mansi Sawant

• Currently writing Microdramas. Below are the shows written by me;

• Dil Ki Adalat — Alright TV

• Dil Ki Aawaz — Alright TV

• Dangerous Driver — Story TV

• Bhai Ka Badla — Story TV

• Farsh Se Arsh, Ek Udaan — Kuku TV

• Dil Bole Mr. Oberoi — Kuku TV

• Nikamma Nahi, Sikandar — Kuku TV

• Shaadi By Chance — Kuku TV

• Borderline Ishq — Kuku TV

• Led content ideation and brainstorming for clients including Rajat Aroraa, supporting film script development and designing micro-drama concepts customized for diverse digital platforms.
• Utilized exceptional writing, editing, and proofreading skills to produce engaging and error-free content.
• Wrote compelling, succinct, clear news scripts under tight deadlines.
• Wrote and edited high-quality content and visually impactful programs under deadline pressure with exciting, captivating, and authentic approach.
• Generated ideas for new content series or formats based on audience interests and market trends.

Conceptualized and launched two original shows ‘Laal Banarasi’ and ‘Beti Hamari Anmol’ which received the highest GRP ratings in their categories and got syndicated to overseas territories such as Indonesia and Tanzania.

Worked as part of the Content Development Team on shows like Raisinghani vs Raisinghani on Sony LIV.

Worked on the production of the Hindi show “Bohot Pyaar Karte Hain” for Star Bharat.

Worked on shows in the GEC Primetime slot such as ‘Apnaapan’ (Sony TV) and ‘Kusum’ (Sony Marathi).

• Assisted Film Writer Rajat Arora in writing story, screenplay and dialogues for established banners on projects such as Heropanti 2.
• Ensured continuity within scenes by tracking character developments, plot points, and settings across multiple drafts.
• Assisted in the creation of compelling character arcs through thorough analysis and suggestions for improvement.
• Supported the development of engaging storylines through brainstorming sessions and creative feedback.

• Worked on conceptualization of superhit shows such as Thapki Pyar Ki, Krishndasi, Karmaphaldata Shani, Kasam Tere Pyaar Ki, Bepannaah, Kaun Hai? and Tantra.
• Worked on these shows right from ideation to the launch and managed end to end. Contributed to the graphics and research areas of mythological and thriller shows. Ensured closer competition tracking to be able to produce sticky content. On the family drama shows, I ensured that the story and characters resonated with the audience.
• Mentored junior producers, fostering a supportive environment that led to professional growth and development.
• Developed compelling storylines by conducting thorough research and engaging in production planning.
• Collaborated with clients and creative teams to develop, plan, and execute production projects.

• Responsible for Script feedback, promo planning, and production calls on diverse shows such as Kairi, Sasuraal Simar Ka, Madhubala, Mrs. Pammi Pyarelal.
• Researched, developed, and pitched stories that reflected unique sensibilities of the network brand.
• Oversaw all aspects of production, including casting, location scouting, and script revisions to ensure optimal results.

• Worked on some of the highest performing shows on Indian Television such as Bade Acche Laggte Hai (Sony TV), Kitni Mohabbat Hai 2 (NDTV Imagine), Bandh Reshmache (Star Pravah), Tujh Sang Preet Lagayi Sajna (Star Plus), Kis Desh Mein Hai Mera Dil (Star Plus) and Kayamath (Star Plus)
• Bade Achhe Lagte Hain was awarded the ‘Best Fiction Series’ at the Star Guild and the Indian Television Academy Awards in 2012.
• Led in-house teams through all stages of creative development, maintaining consistent brand identity across various platforms.
• Inspired team members to exceed expectations consistently by setting clear performance benchmarks and cultivating a culture of excellence.
• Optimized project management processes to meet tight deadlines consistently while maintaining a high level of creative output.

• Worked on the flagship Balaji show – Kyunki Saas Bhi Kabhi Bahu Thi (Star Plus) and Balaji’s first international production – Khwaish (ARY,Dubai).

• Worked on Kkusum (Sony), Kavyanjali, Kahin toh Hoga (Star Plus).
• Oversaw all aspects of pre-production, including casting, location scouting, and script revisions to ensure optimal results.
• Mentored junior staff members, providing guidance on best practices for effective project management within the industry.
• Managed budgets and resources effectively to reduce production costs while maintaining high production value.