I’m a screenwriter, poet, and author drawn to stories that live in the space between silence and storm. My work often explores themes of identity, isolation, and the supernatural—whether it’s a cursed ship lost to colonial greed or a quiet poem steeped in grief and memory. I believe in storytelling that lingers, that speaks in undertones, and that leaves room for breath.
I’m the author of Tea and Tears, a poetry collection that speaks to the emotional chaos of growing up, and I’m currently developing The Black Wake, a historical horror screenplay set in the haunted waters of the 19th-century South China Sea.
Alongside writing, I work as a literature and language tutor for international students, which has deepened my relationship with words, structure, and emotional clarity. My style is lyrical, immersive, and psychologically rich—built to resonate deeply and quietly.
Tea and Tears (Poetry Collection — Writing Sample)
Opening Sequence Snapshot:
The film begins with The Shen Lan , a decaying trade ship, silently adrift in an unnatural fog. Lanterns flicker, the sea holds its breath, and footsteps in fresh black ink trail across the deck. Below, a final log entry warns: "The sea is listening." As ink swirls and a figure emerges in the shadows, a jolt sends the screen to black. Title card: The Black Wake .
Themes:
Opening teaser snapshot:
A mist-choked road curves through the Himalayas. Arjun, a city-worn young man, arrives at a crumbling ancestral home nestled in wild pines. His mother once said the mountains remember what people forget. When white lilies start appearing at his doorstep with no explanation, Arjun sets up cameras, chases shadows, and drifts deeper into dream and folklore. One morning, he doesn't wake up. But someone else arrives—carrying lilies of her own.